"Sleeping Beauty" is a work created by Kawabata Yasunari in his later years. It is thought-provoking. The thoughts of material sorrow contained in the work are worthy of our in-depth exploration.

This work has attracted much attention in the literary world. Its profound ideological content and unique narrative techniques have become the focus of heated discussions.

Japan’s idea of ​​mourning for things has far-reaching historical roots.

It comes from Japanese traditional culture.

In ancient Japanese society, people had a keen awareness of nature and the things around them.

Motoi Nobunaga's Mono-Ai-ryon formally and systematically elaborates on this idea.

Nobunaga Motoi lived in the Edo period and conducted in-depth research on classical literature.

He emphasized that Wusei is a keen perception of things and a deep understanding of the emotions contained in everything in the world.

This idea did not arise out of thin air, but was closely connected with the social environment at that time.

At that time, people often lamented the change of seasons and the withering of flowers and plants. This emotion about the impermanence of life was integrated into literature and art, and gradually evolved into a unique aesthetics of sadness.

The profound cultural accumulation is its foundation, so the idea of ​​​​mono-sorrow continues to progress and is displayed in many literary works. "Sleeping Beauty" by Kawabata Yasunari is one such work.

In the Japanese literary world at that time, many writers were influenced by this ancient thought, but Kawabata Yasunari had unique insights and expressions.

There are many manifestations of caring about things in "Sleeping Beauty".

Some of the events here are tinged with a touch of sadness.

For example, the male protagonist in the novel reminisces about his youth after getting old.

As he grows older and weaker, he reaches a special place where a sleeping young woman keeps him company.

The purpose of his coming here is to remember his lost youth.

His remembrance reflects the helplessness that life will inevitably lead to aging.

At that time, many old people similar to him carried deep nostalgia for the good old days in their hearts.

From another perspective, these special layouts in the novel are inherently sad.

Young girls appear in a state of slumber, beautiful but unconscious.

This shows an established life trajectory, perhaps due to social factors or some kind of profit drive, which has led people to such a situation.

There may have been a similar situation in society at that time, but the seemingly absurd incident was actually deeply saddening.

Look at the mourning of things in "Sleeping Beauty" from the perspective of the heart of things.

The description of the environment in the novel reveals this idea everywhere.

That house is particularly unique in the story, and the whole space is full of mystery and a touch of sadness.

The dim lights and classical decorations in the house seem to tell stories from the past.

These descriptions of the house environment are detailed depictions of objects.

The author intends to express a hidden sadness through the atmosphere created by these objects.

The clothes and loose hair of those young girls all reveal their emotional attachment to the objects.

Their clothing styles may have a certain symbolic meaning.

In traditional Japanese concepts, clothing is related to a person's inner self and the overall atmosphere.

The way a young girl's hair looks in her sleep is either messy or neat. To a certain extent, this is also a way of depicting the shape of things.

The detailed description of the shapes of these objects actually reflects the author's deep understanding of the concept of mourning.

Kawabata Yasunari lived in the twentieth century.

Japan experienced many social changes during this period.

Since the Meiji Restoration, the influence of Western culture has gradually emerged; after the baptism of the two world wars, culture has been restored and rebuilt.

Japanese society is in a state of conflict between tradition and modernity.

Kawabata Yasunari created in this environment.

On the one hand, he was influenced by the trend of modern Western literature, but on the other hand, he found it difficult to completely abandon our country's traditional culture.

Take "Sleeping Beauty" as an example. The aging problem in the society he lives in gradually emerges.

People's ideas in society are also constantly changing.

Some traditional lifestyles and cultural values ​​are being challenged.

The description of the old man's psychology and living conditions in the novel bears the shadow of the times to some extent.

In his works, Kawabata Yasunari shows the loneliness of the elderly in the face of social changes and the deep longing for the past.

The idea of ​​material sorrow in "Sleeping Beauty" can easily arouse readers' emotional resonance.

Even if modern readers live in a different era than Kawabata Yasunari, human emotions are still universal.

Readers can feel the sigh of the passage of youth when reading the novel.

Many middle-aged people may think of those youthful days that have passed or are disappearing.

When readers read the novel, if they meet those young women who are exquisite but lack self-awareness, they can't help but feel a deep regret in their hearts.

This emotion may be related to the reader's inner feelings about the loss or damage of good things. This emotion may be aroused by the disappearance or damage of something good that the reader himself feels.

People will feel sad when they see flowers being damaged by wind and rain, and Kawabata Yasunari's concept of "mono-sorrow" can still touch people's hearts even after many years.

The thought of material sorrow has a value that cannot be ignored for modern literature.

In the context of today's diversified development of modern literature, the concept of material sorrow contained in "Sleeping Beauty" brings a unique perspective of observation and rich connotations to literary creation.

Modern literary works often overemphasize the external description of the story or pursue elements of popular culture.

The thought of mourning for things reminds creators to dig deeper into the connotation of things.

Taking modern love novels as an example, if the concept of material sorrow is incorporated, the works will not just stop at the appearance of the sweetness and pain of love.

Like "Sleeping Beauty", it will dig deep into the characters' inner feelings of helplessness over the loss of a beautiful love, as well as the cherishment of the good old days.

This helps to enrich the emotional depth and cultural connotation of modern literary works.

In the fast-paced world of modern life, which form of mourning in literary works do you think touches your heartstrings more?