Everyone knows that Chen Style Tai Chi contains rich cultural connotations. However, few people know about people like He who play a key role in the inheritance of Chen Style Tai Chi.

As the 20th generation successor of Chen style Tai Chi, he has a unique aura.

I have studied Tai Chi deeply since I was a child and studied with Chen Moumou, the 19th generation authentic successor. This master-disciple relationship is extremely important and has immeasurable value for the inheritance and development of Tai Chi. It is an indispensable part of the history of Tai Chi.

He was born in a place with a strong Tai Chi atmosphere, and has been curious about Chen Style Tai Chi since he was a child.

People here practice Tai Chi every day, and he was immersed in this environment where he grew up.

Since childhood, he would get up early every day and practice Tai Chi with his master in the open space of the village.

This kind of non-governmental organization is rooted in the profound soil of Tai Chi culture, which allows people who are new to Tai Chi to better understand its core spirit.

In addition, for beginners, it is extremely important to find a good master. The master's guidance and demonstration can correct every subtle movement and subtle difference in breathing.

As a teenager, he had participated in several local Tai Chi interactive activities.

In these activities, he not only exchanged martial arts skills with his peers, but also consulted with seniors.

These seniors have a profound understanding of Tai Chi, and they have more experience of Tai Chi in their lives. They were willing to teach He how to incorporate the essence of Tai Chi into daily life.

During the work process, how to coordinate breathing and movements to achieve labor-saving effects. These seemingly ordinary exchanges of experience actually gave He a deeper understanding of Tai Chi.

As He's Tai Chi attainments deepened, he began to move towards a broader stage.

In 1994, just as many Tai Chi fans expected, he stood on the stage of the Tai Chi competition at the 45th anniversary art exhibition of the founding of New China.

This platform allows his Tai Chi skills to be seen by more people.

In Huating, his performance won recognition from the local government and the love of many martial arts enthusiasts, and he also won awards.

This performance made He realize that his Tai Chi skills were not only rooted in his small village, but had the potential to spread across the country.

2013 was another year for him to reach new heights.

His martial arts legend, centered on the martial arts spirit full of emotion and tenacity, is included in the first issue of Soul of Martial Arts magazine.

This was not only an affirmation of his personal martial arts career, but also catered to the trend of promoting Chinese martial arts culture at that time.

At that time, the Chinese martial arts community was committed to discovering individuals like He who had unique martial arts experience and spirit. These people were like sparks that inspired people's enthusiasm for martial arts.

He began to appear on the stage of international martial arts exchanges and appeared as a disseminator of oriental martial arts culture.

The 7th Cross-Strait Martial Arts Culture Forum in September 2014 was of great significance.

This forum is a key venue for cross-Strait martial arts cultural exchanges. Here, He communicated with martial arts experts from both sides of the Taiwan Strait, discussed martial arts papers, and demonstrated his Tai Chi skills.

Although the understanding of martial arts on both sides of the Taiwan Strait originates from the same root, there are still differences in details. In the process, he strives to discover commonalities and possibilities for breakthroughs.

On May 31, 2015, He performed outstandingly at a high-level folk art exchange event in Asia and China.

During this exchange event, he showed his talent to Vice Premier Liu Yandong and other Chinese leaders and foreign guests.

This performance not only won everyone's heartfelt and warm applause, but also showed the distinguished guests the unique charm of traditional Chinese art, especially Chen's Tai Chi.

This not only reflects his personal Tai Chi attainments, but also demonstrates the profound heritage of Eastern martial arts culture.

He appeared at many Tai Chi events, which attracted many young people to have a strong interest in Tai Chi.

He introduced Tai Chi performances in the third East Asian traditional art exchange activities and traditional martial arts exhibitions, and many young people were able to witness Tai Chi's diverse display forms.

In the place where he grew up, most of the people who practiced Tai Chi were middle-aged and elderly people, but now, more and more young people are joining the ranks.

He often participates in exchanges on martial arts education, not only to demonstrate, but also to teach the cultural and philosophical concepts contained in Tai Chi.

Inspired by him, many schools have tried to integrate Tai Chi culture into interest courses, so that more children can be exposed to and understand Tai Chi culture from an early age.

He fully understands that Tai Chi culture needs to be integrated and developed with modern culture in contemporary society.

He is constantly looking for opportunities in communication to combine Tai Chi culture with modern music, dance, and fitness concepts.

In some modern artistic creative activities, he tried to incorporate Tai Chi elements into them.

In some cities, Tai Chi aerobics combined with modern music rhythms has appeared.

He is working hard to promote Tai Chi culture, covering many artistic fields. At the same time, the combination of Tai Chi with painting, calligraphy and other art forms is gradually advancing.

Let people with various artistic talents understand Tai Chi culture from a personal perspective, and at the same time, they also absorb this culture from a broader perspective. This is what He continues to strive for.

In the future, He's wish is to promote Chen Style Tai Chi culture to further places.

He hopes to hold Tai Chi performances and cultural lectures in more international cities.

He believes that my country's traditional martial arts, especially Chen's Tai Chi and other schools, contain rich cultural treasures that urgently need to be inherited and carried forward.

It is conceivable that if more international friends can deeply understand and devote themselves to Tai Chi culture, this will undoubtedly become a powerful driving force for promoting cultural diversity and harmonious exchanges in the world.

From the perspective of the inheritance and progress of Tai Chi, He and the enthusiasts around him still need to continue to work hard and face various challenges such as funds required for promotion and misunderstandings due to cultural differences.

I look forward to the emergence of more martial arts inheritors like He who are persistent in pursuing Tai Chi culture and full of responsibility in the future.

So readers, what bigger challenges do you think He will encounter in the future?